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You can view the lyrics, alternate interprations and sheet music for Deftones's Mascara at Lyrics.org.
- Music Video
- Lyrics
- Song Meaning
- Unraveling the Siren’s Lament: An Ode to Complex Love
- Blood in Your Hair: Imagery from Love’s Battlefield
- The Enigma of Long Shady Eyes: Discovering the Song’s Hidden Meaning
- Strength in Weakness: The Contradiction in Affection
- Bonded in Bitterness: The Tragic Reality of ‘It’s too bad, you’re married to me’
Lyrics
I feel soon
I will sink
Into you
What do you think?
‘Cause there’s still blood
In your hair
Got the bruise
Of the year
But it’s something about her
Long shady eyes
I’m all about her
Shade tonight
I hate your tattoos
You have weak wrists
But I’ll keep you
‘Cause it’s something about her
Long shady eyes
I’m all about her
Shade tonight
Well it’s too bad
It’s too bad
It’s too bad
You’re married, to me
As the haunting riffs of Deftones’ ‘Mascara’ ripple through the airwaves, listeners are transported into a world woven with discomfort, desire, and the dark undertones of a complex emotional connection. The song, serving as a lyrical crypt that holds a treasure trove of raw sentiment, beckons us to decipher its silhouette-shrouded messages.
Distorted by heavy guitar lines that meld seamlessly with Chino Moreno’s ethereal vocals, ‘Mascara’ propels us into the depths of interpersonal struggle, painted starkly by poignant words that resonate with the wounded and the wandering alike.
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Unraveling the Siren’s Lament: An Ode to Complex Love
The seductive yet somber opening lines of ‘Mascara’ lay bare the weight of impending sorrow; the imminence of becoming submerged in another person’s essence. These words frame the complex duality of desire: the longing to merge with another, contrasted starkly with the trepidation of losing oneself in the emotional undertow.
The song’s lyrics paint a picture of a lover, captivated yet conflicted by their partner’s visage, a tangled tapestry of allure and affliction that’s bound by the invisible threads of a tortuous love. It navigates the gray areas where love and dependence conflate, baring the fragility of the protagonist’s emotional state.
Blood in Your Hair: Imagery from Love’s Battlefield
Perhaps nothing invokes the sensorial sting of tumultuous romance quite like ‘there’s still blood in your hair,’ quintessentially embodying the aftermath of a violent passion. This memorable line serves as a stark metaphor for the hurt that lingers in a rocky relationship, a visceral reminder that emotional scars are often invisible and indelible.
The bruise ‘of the year’ transforms from mere physicality into the emblem of internalized trauma, carrying with it the unspoken narrative of countless battles fought in the struggle to maintain a love that seems to harm as much as it heals.
The Enigma of Long Shady Eyes: Discovering the Song’s Hidden Meaning
Serving as the cryptic anchor of the track, ‘something about her long shady eyes’ repetitively haunts the chorus, a mantra etching the smudged essence of the beloved into the song’s heartbeat. It’s a poetic ode to the magnetic pull of an enigmatic lover, whose eyes withhold secrets as darkly compelling as the shades that conceal them.
This cryptic fascination speaks to the human condition of being drawn to the unobtainable or the misunderstood, suggesting a yearning for the complex, the challenging, and perhaps even the dangerous.
Strength in Weakness: The Contradiction in Affection
The paradox ensnaring the protagonist’s heart spills out in the line ‘I hate your tattoos / You have weak wrists / But I’ll keep you.’ It’s a twisted compliment that captures the allure of imperfection and the sardonic acceptance of flaws within romantic entanglements.
Deftones masterfully portray how love can persist in spite of, or perhaps because of, the weaknesses we find in others and ourselves – a testament to the convoluted nature of human relationships.
Bonded in Bitterness: The Tragic Reality of ‘It’s too bad, you’re married to me’
In an almost cruel twist of fate, the song concludes with the weighted realization ‘It’s too bad, you’re married, to me’— a chilling admission revealing the protagonist’s cognizance of their toxic entanglement and the suffocating permanence it implies.
This line resonates not just as a wake-up call to the listener, but a somber resignation that tethers two people in a matrimony of misery. It challenges the listener to reflect on the shadowy corners of their own relationships and the sometimes-painful truths that bind us closer than love ever could.
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